Identifying the departments with the biggest backlog, the most amount of overtime or the area that receives the highest number of complaints is a straight forward way to prioritize which areas of the organization to automate.
While the exterior mechanics of a robot may be fascinating, it is their programming and software that has the most utility for future workforces.
Robotic process automation can be applied across departments, from HR and Customer Service to Finance and Operations. 70-80 per cent of rules-based processes can be automated,
Evan Ackerman for IEEE Spectrum: A group of researchers including Michal Luria, Guy Hoffman, Benny Megidish, Oren Zuckerman, Roberto Aimi, and Sung Park from IDC Herzliya, Cornell, and SK Telecom have developed a prototype social robot called Vyo. Vyo is “a personal assistant serving as a centralized interface for smart home devices.” Nothing new there, but what sets Vyo apart is how you interact with it: it combines non-anthropomorphic design with anthropomorphic expressiveness and a tactile object-based control system into a social robot that’s totally, adorably different. But is it practical? Full Article:
Robotics and automation in the office is actually much more subtle, and typically works behind the scenes.
Collaborative robots are the latest technology, and may provide just the solution you are looking for to improve your production process, but you must still make sure any risks associated with your robotic application are recognized and managed appropriately.
Symmetric Multiprocessing or Virtualization: Maximizing the Value and Power of a Soft-Control Architecture
For a truly simplified and streamlined architecture that is high-performing, scalable, efficient. and built for long-term value, an SMP-enabled Soft-Control Architecture is recommended.
Weiss Enters the Octagon: Unique Shaped Dial Plate Accomodates Robotic Inertia Performance and Ergonomic Efficiencies
By collaborating with WEISS on their intricate medical part subassembly system, Jerit Automation was able to achieve its next-generation octagonal design and performance goals.
Tina Amirtha for Benelux: In 2014, three software engineers decided to create a drone company in Wavre, Belgium, just outside Brussels. All were licensed pilots and trained in NATO security techniques. But rather than build drones themselves, they decided they would upgrade existing radio-controlled civilian drones with an ultra-secure software layer to allow the devices to fly autonomously. Their company, EagleEye Systems, would manufacture the onboard computer and design the software, while existing manufacturers would provide the drone body and sensors. Fast-forward to the end of March this year, when the company received a Section 333 exemption from the US Federal Aviation Administration to operate and sell its brand of autonomous drones in the US. The decision came amid expectations that the FAA will loosen its restrictions on legal drone operations and issue new rules to allow drones to fly above crowds. Cont'd...
From Ross Goodwin on Medium: To call the film above surreal would be a dramatic understatement. Watching it for the first time, I almost couldn’t believe what I was seeing—actors taking something without any objective meaning, and breathing semantic life into it with their emotion, inflection, and movement. After further consideration, I realized that actors do this all the time. Take any obscure line of Shakespearean dialogue and consider that 99.5% of the audience who hears that line in 2016 would not understand its meaning if they read it in on paper. However, in a play, they do understand it based on its context and the actor’s delivery. As Modern English speakers, when we watch Shakespeare, we rely on actors to imbue the dialogue with meaning. And that’s exactly what happened inSunspring, because the script itself has no objective meaning. On watching the film, many of my friends did not realize that the action descriptions as well as the dialogue were computer generated. After examining the output from the computer, the production team made an effort to choose only action descriptions that realistically could be filmed, although the sequences themselves remained bizarre and surreal... (medium article with technical details) Here is the stage direction that led to Middleditch’s character vomiting an eyeball early in the film: C (smiles) I don’t know anything about any of this. H (to Hauk, taking his eyes from his mouth) Then what? H2 There’s no answer.
A true system doesn't only take the technology into account, but also the processes and human aspects.
The marrying of Aerial MOB's robust operational experience and IP portfolio with 5D's robust autonomy and behavioral technology really bridges many of the gaps for delivering valuable products to many industrial type clients, such as those in oil and gas, utilities, and construction among others.
From Vikash Kumar at University of Washington: Dexterous hand manipulation is one of the most complex types of biological movement, and has proven very difficult to replicate in robots. The usual approaches to robotic control - following pre-defined trajectories or planning online with reduced models - are both inapplicable. Dexterous manipulation is so sensitive to small variations in contact force and object location that it seems to require online planning without any simplifications. Here we demonstrate for the first time online planning (or model-predictive control) with a full physics model of a humanoid hand, with 28 degrees of freedom and 48 pneumatic actuators. We augment the actuation space with motor synergies which speed up optimization without removing flexibility. Most of our results are in simulation, showing nonprehensile object manipulation as well as typing. In both cases the input to the system is a high level task description, while all details of the hand movement emerge online from fully automated numerical optimization. We also show preliminary results on a hardware platform we have developed "ADROIT" - a ShadowHand skeleton equipped with faster and more compliant actuation... (website)
MIT News via Larry Hardesty for RoboHub: In experiments involving a simulation of the human esophagus and stomach, researchers at MIT, the University of Sheffield, and the Tokyo Institute of Technology have demonstrated a tiny origami robot that can unfold itself from a swallowed capsule and, steered by external magnetic fields, crawl across the stomach wall to remove a swallowed button battery or patch a wound. The new work, which the researchers are presenting this week at the International Conference on Robotics and Automation, builds on a long sequence of papers on origamirobots from the research group of Daniela Rus, the Andrew and Erna Viterbi Professor in MIT’s Department of Electrical Engineering and Computer Science. Cont'd...
From Manuel Ruder, Alexey Dosovitskiy, Thomas Brox of the University of Freiburg: In the past, manually re-drawing an image in a certain artistic style required a professional artist and a long time. Doing this for a video sequence single-handed was beyond imagination. Nowadays computers provide new possibilities. We present an approach that transfers the style from one image (for example, a painting) to a whole video sequence. We make use of recent advances in style transfer in still images and propose new initializations and loss functions applicable to videos. This allows us to generate consistent and stable stylized video sequences, even in cases with large motion and strong occlusion. We show that the proposed method clearly outperforms simpler baselines both qualitatively and quantitatively... (pdf paper)
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